Nonsense

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“Look, I did not invent nonsense in 1653. I mean, how could I, since I was already dead in 1900?”

~ Oscar Wilde on Poems in Pudding in 1653

“In Soviet Russia, honeycombs violently gang rape YOU!!”

~ Russian Reversal on Brazil

If you've ever needed a compass to tell which way the wind shines, then you are already well informed about nonsense. Nonsense is an early 20th Century literary technique, which employs enlightening witticisms and vivid analogies and overblown metaphors and well-placed digits of pi in order to convey a sense of wistful romantic nostalgia and pizza within 20 minutes or your money back. It also tosses in some nouns and adjamectives and really spongebob, that's got to be your stupidest idea ever.

For any given value of X, nonsense is the stating of random statements in a sentence. Carrying over the 6, nonsense is a common theme in Uncyclopedian literature, mainly due to severe lack of webpage ingredients. Isolating for Y, we see that the graph forms a parabola.

Discontently, nonsense has evil thoughts relating to the circumference of a parabola. Throughout the story, Jessica washes her dog using her car as a sponge. This foreshadows the coming washing of her dog with a car as her sponge, leading ultimately to the washing of her dog as a sponge. The story reaches the climax when Jessica washes her sponge. Overall, the sponge and the car symbolize the deep hatred within humanity, and Jessica symbolizes a cake.

Furthermorally, all Nonsensical works are designed just for yodelling inside triangle corners of the teletubbies, and are put away by CD covers in order to erradicate the costumer support of Iceland. As well, nobody has ever jumped into a flying carpet that DIDN'T belong to any keyboard along the tunnel. Clearly, nonsensical works continue to be popular amongst adolescents. The Jungian implications for this are vast and did your mom.

1 Historicalness of Nonsense
2 A Postmodern Perspective
3 Memorable works
4 See Also
5 Extenal links

[edit] Historicalness of Nonsense

Nonsense was invented and patented by Oscar Wilde and Cowboys (not the ironic ones from Romania) in 1653, primarily as a defense against heavily armed woodchucks. It proved to be immensly popular with young children, the heterosexual community, Douglas Hofstadter, and the kitten-huffing counterculture of pre-surrender France. These categories are not necessarily mutually exclusive. In the case of Blender VS SCO the following statement was ruled as the supreme doctrine of all weasels:

"Plinith hasn't BERSERKED FLAPPITY FROOTLOOPS Before nietchez's sweet piccolo FLOSSED BILL CLINTONS CAN O WHOOPASS misguidingly disguised as CHUCK NORRIS in abe Gorilla WINDEX PEEL of KNOSSES. "I CONCUR" says NAPOLEAN damminite "ANEMONIES!!! ANENOMIES!!!" THOU BEATEN FROGS of holy DEVOUR buttcheeks of POOD POISONING. "ANEMONIES!!! ANEMONIES!!" food allergens for NOOBS! "ANEMONIESS!!! ANEMONIESS!!" SPATCHULA of britain!!! FORLORN bata ELEPHANT FRIT! I frisk thy VAT chemical IMBALANCES YOU"[1]

thus, it was converted into the works of shakespeare.

Do not trust in pills.

[edit] A Postmodern Perspective

Cheinmerde Dupoint attempts to move nonsense beyond it's early twentieth-century impasse by providing a metaphor for nonsense, what Gladys referred to as a "symbolic negating system" as well as a "level 0 multi-faceted" or "pseudo-vacuous" system.

Gladys challenges us to theorize beyond the mechanistic (frameworks, clockworks) and organic (blueprinted) systems to language-based nonsense models (such as symbol-negating, semantically atonal systems). Recent attempts to move from mechanical to organic metaphors, such as Doof's (1995) 'bumble-bee' model, still focus upon hierarchical (one might suppose, additionally, patriarchal) relations instead of a linguistic theory of organization. In the linguistic theory, however, the metanonsense is eschewed for an atonal, self-negating nonsense. Gladys also coments about his breakfast in the early morning, but we didn't manege to record the conversation until this moment.

Dupoint argues that a linguistic approach to nonsense avoids the familiar problem of the 'nonsense-gap' which lead nonsense theorists prior to the 'linguistic turn' to suffer the self-referential hernias which caused the nonsense movement to peter out in the mid-twentieth century.

Resistance is FUTILE!!!- Admin

[edit] Memorable works

One of the most memorable works of nonsense is a piece called "Do you recall the name?" by Oscar Wilde:

Silent pause

I dare you to tell me how much is worth for a emu to change the circles into clouds that blow the sinking slouchness through which we all press buttons...

Deep breath

Woe be me, it's all a matter of how the spoon (not literally, but homosexually) can transcend and go from coast to coast when it's circling the entropy.

Intimidating glare

After all, even if blue does scream louder than a mountain, we all know that the elephant (the one who lusts for cheese) won't argue about which action takes time before the glow in that tiny part of angled road lusts for a continuous expectance of deadlines (such as the delaying of toast) that only multiplies the verge of contradistinction (or, rather, BY contradistinction).

Sigh

Alas, the pressure and fear of my own feet (the ones at the bottom) has caused some divergence amongst my peers, namely the invisible ones. One can clearly see the suffering and angst that I have been through as a cause of the cubed entropy of my triangular mass. My condolences to the deceased.

Clearly, it's all a matter of:

The thing that the girly girl scratches

An adult learning how to read

Variants of an accident

Not recalling not being

And we all know through out this and porks, that come together for a sliding and ever blinding tile from the mask, that obstination isn't all that wavy when the playful sandless plague pluggers (that convey the opera) aren't like the dashes of a matress on wrinkled console metal. Oh, the warmongers!

Another great work by Oscar Wilde is the epic poem: "The threateningly passive glance of a well-knowned stranger"

Oh how I envy,

That dog,

He has the world,

Look - fog.

Today was a sad day,

I liked that movie I saw yesterday with the killer mouse,

It was a lonely day,

Look - a house.

I sit here on the tracks,

Washing my clothes in Gain,

Grass tastes a bit odd,

Look - a train.

Equally notable is the great mathematician's Nottav Ake's proof, entitled in brief: The proof to end all proofs.

Hello team America:

In order to further your ordeal of terror on the forces of terror I have stepped down in my position of not writing this proof. This proof is doubleplusgood.

Statement: Donated X, the ID X=1*X possesses one doubleplusgood magnitude pertaining to 1, that is to dictate that this identity has a doubleplustrue property.

Let ;

Clearifically stated, due to the infallible justly proven proof that the proven identity is provenally proved.

All in all, the book reached its climax when Claudio staged the death of Hamlet in a play, and Beatrice killed herself at the sight of MacBeth's supposedly dead body. For any value of X, the book was okay.